Debating on whether or not to get a new guitar
Debating on whether or not to get a new guitar
Looking at a Schecter C-7 Blackjack.
I'm definitely interested in a 7 string for the extended scale and such.
Anyway, from all the reviews I've read, it seems to be a wonderful guitar. The only "complaint" I can find people repeatedly mentioning is the thickness of the neck being a little much (though I'd imagine that comes with the territory of any 7-string).
I'm pretty much sold on this thing, but do you guys have any comparable suggestions with this axe?
I'm definitely interested in a 7 string for the extended scale and such.
Anyway, from all the reviews I've read, it seems to be a wonderful guitar. The only "complaint" I can find people repeatedly mentioning is the thickness of the neck being a little much (though I'd imagine that comes with the territory of any 7-string).
I'm pretty much sold on this thing, but do you guys have any comparable suggestions with this axe?
- Dimejandro
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- Three Second Doom
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My friend has a C-7 Blackjack, and he loves it. I've never played one but I've heard nothing but good things about them. He recently got a Hellraiser too, and it's pretty much all hes been playing on for a while.
Me, I ended up getting the Damien 7 since I was on a tighter budget, but still a very nice guitar. Schecter.
Me, I ended up getting the Damien 7 since I was on a tighter budget, but still a very nice guitar. Schecter.

- Dimejandro
- I will fuck you up
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I'm leaning towards the blackjack because of the two different woods.
From what I can gather, it's better to have a neck and body that are of different wood types, because their resonance won't be at the same frequency, and there will be no cancelation.
Having the same wood for the neck and the body I think probably induces sound wave resonance cancellation because the woods are of the same density and resonate at the same frequency.
I read on Ed Roman's site in one of his articles that you want different woods for neck and body, but I don't recall him saying exactly why.
I'm speculating as to what I just mentioned as the reason, by just thinking about some other physics in sound that I'm aware of.
You don't want completely square enclosures with sub-bass because when the sound-waves reflect off the rear wall, they're at the same exact wavelength as when they came from the adjacent wall (where the speaker produced the wave), and thus you get soundwave cancellation.
I would imagine that's probably why Schecter opted to use actives in the Hellraiser. Both the neck and body are mahogany. Not as much of a concern with resonance cancellation if you have active pickups with huge sensitivity.
From other reviews on the Hellraiser I've read, apparently it's tone can get a tad bit fuzzy or muddy, and this is indicative of cancellation.
I could be wrong, but I prefer passive pickups anyway.
I'll probably go with the Blackjack.
From what I can gather, it's better to have a neck and body that are of different wood types, because their resonance won't be at the same frequency, and there will be no cancelation.
Having the same wood for the neck and the body I think probably induces sound wave resonance cancellation because the woods are of the same density and resonate at the same frequency.
I read on Ed Roman's site in one of his articles that you want different woods for neck and body, but I don't recall him saying exactly why.
I'm speculating as to what I just mentioned as the reason, by just thinking about some other physics in sound that I'm aware of.
You don't want completely square enclosures with sub-bass because when the sound-waves reflect off the rear wall, they're at the same exact wavelength as when they came from the adjacent wall (where the speaker produced the wave), and thus you get soundwave cancellation.
I would imagine that's probably why Schecter opted to use actives in the Hellraiser. Both the neck and body are mahogany. Not as much of a concern with resonance cancellation if you have active pickups with huge sensitivity.
From other reviews on the Hellraiser I've read, apparently it's tone can get a tad bit fuzzy or muddy, and this is indicative of cancellation.
I could be wrong, but I prefer passive pickups anyway.
I'll probably go with the Blackjack.
I dont' remember exactly where I read it, but go check out the articles he's written.BassPhemy wrote:Hmm. Is that really true about the different woods in the neck and body? I've been a neck-through whore for a long time.
It's pretty interesting stuff.
According to him, the best neck designs go in following order:
Deep set-neck tenon > Neck-thru > bolt in > bolt on > set neck (ala gibson)
I could've sworn I read that (the different neck wood thing) in his deep set neck tenon article but I couldn't find it just now
anyway, check out his stuff.
a lot of good reading and some beautiful guitars
www.edromanguitars.com
- croninburg
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