Can somone point in the right direction of time signatures
- CFH Eternal
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Can somone point in the right direction of time signatures
Besides a music teacher, can someone teach me a better understanding of it. Yeah I get the 4/4 and 3/4 but I guess it gets kind of confusing for me after that.
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I'm not too great in odd time sigs, but just from stuff I've learned, it just seems like breaking it down differently.
5/4, a good example would be Take Five by Brubeck. http://www.youtube.com/watch?v=BwNrmYRiX_o
Just count it either 1, 2, 1, 2, 3 or 1, 2, 3, 1, 2.
Good example of another odd signature would be sections of Money by Floyd. The main riff is 7/4, and the rest is 4/4 I believe.
Again, it'd go 1, 2, 3, 4, 1, 2, 3 or 1, 2, 3, 1, 2, 3, 4. Whichever way is easiest to count out 7 beats per measure.
5/4, a good example would be Take Five by Brubeck. http://www.youtube.com/watch?v=BwNrmYRiX_o
Just count it either 1, 2, 1, 2, 3 or 1, 2, 3, 1, 2.
Good example of another odd signature would be sections of Money by Floyd. The main riff is 7/4, and the rest is 4/4 I believe.
Again, it'd go 1, 2, 3, 4, 1, 2, 3 or 1, 2, 3, 1, 2, 3, 4. Whichever way is easiest to count out 7 beats per measure.
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Yeah and remember if it is in 7/4 the measure takes longer to complete because a measure would be consisting of 7 quarter notes. If it was 7/8 you'd be counting it faster as it's counting in 8th notes.
And it's also good to note that the odd time signatures start again on the upbeat, it's like a flip-reversal. You could just tap your foot in 4/4, and play in 5 or 7 or whatever and the first and third measures would be downbeat accented and the second and fourth measures would be upbeat accented, that is that the accents switch to the upbeat because of the odd number of beats.
Anyways the top line is being counted in quarter notes and the bottom in 16th notes. You could also write the top line as 5/4 so as to show that the bottom line starts over at the 2 which would be 1 if it was being counted in 5/4. You'll see with the 4/4 line that the bottom line repeats (the 1) on 2 due to the odd amount of notes. So just try tapping your foot to odd counts and you'll just get a sense of how it feels. Going with then against the straight beat.
And it's also good to note that the odd time signatures start again on the upbeat, it's like a flip-reversal. You could just tap your foot in 4/4, and play in 5 or 7 or whatever and the first and third measures would be downbeat accented and the second and fourth measures would be upbeat accented, that is that the accents switch to the upbeat because of the odd number of beats.
Code: Select all
d u d u d u d u
1---2---3---4---1---2---3---4
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the most basic way ive ever explained it is this:
count how many times you bang your head until the riff/measure starts over.
if its take five for example, you would normally bob your head to it five times, then the riff repeats.
for something higher in the top number, like 7/4, 8/4, you would normally count 7 or 8 beats in the measure/riff before it repeats/changes.
for something in which the lower number is bigger, like 8, 16, think of it this way: the lower number is what the measure is broken down into. if its something like 6/8, then there are 6 eighth notes in the measure.
if your lost with the real hard shit like 17/8, 10/16, just think of it this way: in 17/8, there are 17 eighth notes in one single measure. so you count 17 beats (of 8 note duration, which is double time of quarter notes) and then the measure changes.
count how many times you bang your head until the riff/measure starts over.
if its take five for example, you would normally bob your head to it five times, then the riff repeats.
for something higher in the top number, like 7/4, 8/4, you would normally count 7 or 8 beats in the measure/riff before it repeats/changes.
for something in which the lower number is bigger, like 8, 16, think of it this way: the lower number is what the measure is broken down into. if its something like 6/8, then there are 6 eighth notes in the measure.
if your lost with the real hard shit like 17/8, 10/16, just think of it this way: in 17/8, there are 17 eighth notes in one single measure. so you count 17 beats (of 8 note duration, which is double time of quarter notes) and then the measure changes.
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The intro to YYZ is in 10/8. Honestly, the best way to deal with them is to internalize them. And remember that phrases are generally in groups of 3 or 4. That makes it a lot easier to count and feel.
Izzy: do you realize how broad "environmental science" is?
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Izzy: well, more useful than that
Izzy: but an expert on the civil war won't know jackshit on uhh
Izzy: something that isnt the civil war
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It seems really awkward to do it that way. Not to say that it's mathematically impossible, but there isn't a strong accent on the "6" really.Acid Flashbakc wrote:also if it makes it any easier CFH, this also means that it can be counted in 5/4Pfl?yd wrote:The intro to YYZ is in 10/8.
Izzy: do you realize how broad "environmental science" is?
Izzy: it's like going to school for history
Izzy: well, more useful than that
Izzy: but an expert on the civil war won't know jackshit on uhh
Izzy: something that isnt the civil war
Izzy: it's like going to school for history
Izzy: well, more useful than that
Izzy: but an expert on the civil war won't know jackshit on uhh
Izzy: something that isnt the civil war
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oh definitely, i was just showing him that you can split up a time sig a few different ways.Pfl?yd wrote:It seems really awkward to do it that way. Not to say that it's mathematically impossible, but there isn't a strong accent on the "6" really.Acid Flashbakc wrote:also if it makes it any easier CFH, this also means that it can be counted in 5/4Pfl?yd wrote:The intro to YYZ is in 10/8.
[quote="Brandon"] there are weirdos on the net. [/quote]
Big Ben wrote:The way I usually think of it, everytime the snare is hit by drums it is the end of the measure, does that mean if I'm counting I start over every snare?
uhhh, what?
Izzy: do you realize how broad "environmental science" is?
Izzy: it's like going to school for history
Izzy: well, more useful than that
Izzy: but an expert on the civil war won't know jackshit on uhh
Izzy: something that isnt the civil war
Izzy: it's like going to school for history
Izzy: well, more useful than that
Izzy: but an expert on the civil war won't know jackshit on uhh
Izzy: something that isnt the civil war
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Pfl?yd wrote:Big Ben wrote:The way I usually think of it, everytime the snare is hit by drums it is the end of the measure, does that mean if I'm counting I start over every snare?
uhhh, what?
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There are no rules in place stating that you have to hit the snare at any specific count, so that's where I think you're confusing everyone.Big Ben wrote:The way I usually think of it, everytime the snare is hit by drums it is the end of the measure, does that mean if I'm counting I start over every snare?
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For CFH: You can usually tell what the sig. is by how the groove is implied. Like for the example of YYZ, for it to be a 5/4 beat over that would sound kind of half-time feel, and overly rigid. Whereas because of the pulse it's more accurate, and easier, to count in 10/8Acid Flashbakc wrote:oh definitely, i was just showing him that you can split up a time sig a few different ways.Pfl?yd wrote:It seems really awkward to do it that way. Not to say that it's mathematically impossible, but there isn't a strong accent on the "6" really.Acid Flashbakc wrote:also if it makes it any easier CFH, this also means that it can be counted in 5/4Pfl?yd wrote:The intro to YYZ is in 10/8.
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The top number is the one you're counting to, the bottom number is the value, so one bar of 4/4 = one bar of 8/8 or two of 8/16, etc etc.
Money is a classic example, the verse to All You Need Is Love is also in 7/4:
http://uk.youtube.com/watch?v=rLxTpsIVzzo
I'm sure that most musicians who use ridiculous time signatures just subdivide things down anyway. The real talent is making a "normal" time sound otherworldly:
http://uk.youtube.com/watch?v=I_6begaAXMg
...or making an odd one groove like a mofo:
http://uk.youtube.com/watch?v=IBvokEwONOU

Money is a classic example, the verse to All You Need Is Love is also in 7/4:
http://uk.youtube.com/watch?v=rLxTpsIVzzo
I'm sure that most musicians who use ridiculous time signatures just subdivide things down anyway. The real talent is making a "normal" time sound otherworldly:
http://uk.youtube.com/watch?v=I_6begaAXMg
...or making an odd one groove like a mofo:
http://uk.youtube.com/watch?v=IBvokEwONOU


Damn. it seems that quite a few of you aside from CFH Eternal need to learn how to read time signatures properly. Particularly compound time signatures. You do NOT use the same logic from a simple time signature while reading/interpreting a compound time signature. And though a time signature like 6/8 may have a 3/4 feel, they aren't the same. Prove this to yourself by writing out a rhythm in each time signature and make it so each one can be read to sound exactly the same. They sure won't look the same.
i always had trouble with this too, but kindof on the opposite side of things... ive almost always struggled with normal straightforward riffs that anyone else can pickup and learn real quick, i have to sit there and focus and get all sweaty but then shit that comes natural to me confuses the shit out of everyone else...
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All you did was simplify a fraction jackass!Acid Flashbakc wrote:oh definitely, i was just showing him that you can split up a time sig a few different ways.Pfl?yd wrote:It seems really awkward to do it that way. Not to say that it's mathematically impossible, but there isn't a strong accent on the "6" really.Acid Flashbakc wrote:also if it makes it any easier CFH, this also means that it can be counted in 5/4Pfl?yd wrote:The intro to YYZ is in 10/8.

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Correct. However, when the snare is hit by guitars, a completely different scenario occurs.Big Ben wrote:The way I usually think of it, everytime the snare is hit by drums it is the end of the measure, does that mean if I'm counting I start over every snare?
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Yeah I fucked that upCheyenne fucking Buffet wrote:There are no rules in place stating that you have to hit the snare at any specific count, so that's where I think you're confusing everyone.Big Ben wrote:The way I usually think of it, everytime the snare is hit by drums it is the end of the measure, does that mean if I'm counting I start over every snare?

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welcome to subdividingsummers_eve wrote:All you did was simplify a fraction jackass!Acid Flashbakc wrote:oh definitely, i was just showing him that you can split up a time sig a few different ways.Pfl?yd wrote:It seems really awkward to do it that way. Not to say that it's mathematically impossible, but there isn't a strong accent on the "6" really.Acid Flashbakc wrote:also if it makes it any easier CFH, this also means that it can be counted in 5/4Pfl?yd wrote:The intro to YYZ is in 10/8.

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