Pinky Finger Strengthening
Pinky Finger Strengthening
Anyone know any good exercises to strengthen the pinky? It's really holding me back I think and I want to know ways to make it stick when it place it on a string. Thanks.
Last edited by Metal66 on Tue Aug 28, 2007 4:15 pm, edited 1 time in total.
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play hammer ons and pull offs with it. for eg. ----5h8p5h8p5h8p5h8---
just keep doing it till your pinky starts going numb. then move on to the lower/upper string. do this across the entire (bottom to topmost strings and vs.) fretboard till you can do it no more, then do it again and again.
then you can start stretching the pinky further down the fretboard.
just keep doing it till your pinky starts going numb. then move on to the lower/upper string. do this across the entire (bottom to topmost strings and vs.) fretboard till you can do it no more, then do it again and again.
then you can start stretching the pinky further down the fretboard.
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if u just keep your pinky anchored down on one fret, and you keep all the other fingers moving on the same string, you'll notice that you're still playing the same note, hence, working out your pinky fretting!
normally, i would get bored of doing something like that i just mentioned^ and that's when i go "ballz out" experimental and start slammin the strings at the bridge w/my nutsack creating all kinds of unworldly noise effects while simultaneously fingering the fretboard and flicking the pick-up selector toggle switch.
normally, i would get bored of doing something like that i just mentioned^ and that's when i go "ballz out" experimental and start slammin the strings at the bridge w/my nutsack creating all kinds of unworldly noise effects while simultaneously fingering the fretboard and flicking the pick-up selector toggle switch.
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helps meRandomRussianDude wrote:play hammer ons and pull offs with it. for eg. ----5h8p5h8p5h8p5h8---
just keep doing it till your pinky starts going numb. then move on to the lower/upper string. do this across the entire (bottom to topmost strings and vs.) fretboard till you can do it no more, then do it again and again.
then you can start stretching the pinky further down the fretboard.

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that shit is funny, ballz out guitar noise!UNGODLIKE wrote:if u just keep your pinky anchored down on one fret, and you keep all the other fingers moving on the same string, you'll notice that you're still playing the same note, hence, working out your pinky fretting!
normally, i would get bored of doing something like that i just mentioned^ and that's when i go "ballz out" experimental and start slammin the strings at the bridge w/my nutsack creating all kinds of unworldly noise effects while simultaneously fingering the fretboard and flicking the pick-up selector toggle switch.
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I never used my pinky much for the first couple of years that i played guitar. I started using it when i was watching videos of pantera and dime was doing those wide pinky streatches. I started trying to do them and practiced them over and over and after a few weeks i was able to integrate my pinky into my playing style a lot more. No i try to use it as much as possible when playing with an economy playing approach.
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yes. people have always thought i was weird for doing this. they don't understand that using your index and pinky for power chords is easier on the hand and allows more accurate movement at high speeds, especially with metal.BassPhemy wrote:Play power chords with your index and pinky fingers. Not your index and ring fingers.
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i was under the impression everyone used their pinky for power chords. i guess not. also i do bends using the pinky, just something i've done from the beginning.Lord of This World wrote:yes. people have always thought i was weird for doing this. they don't understand that using your index and pinky for power chords is easier on the hand and allows more accurate movement at high speeds, especially with metal.BassPhemy wrote:Play power chords with your index and pinky fingers. Not your index and ring fingers.
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Well when you play actual, real chord voicings you're going to want to have your ring finger on the 5th so you can change the chord voicing with your pinky finger. I mean even an add9 chord tells you this (1-5-9), much less other chord voicings that start to stray from the stereotypical fingering of a simple power chord shape with the 1-5-octave scheme.
But if all you want to play is power chords, by all means, just use your pinky for the 5th.
If ever you start playing jazz or different chord voicings in general, you're going to find out that having your pinky finger available to you is probably the most crucial part of the chord. The more fretboard surface area you can cover with your hand, you're going to be better off with.
But if all you want to play is power chords, by all means, just use your pinky for the 5th.
If ever you start playing jazz or different chord voicings in general, you're going to find out that having your pinky finger available to you is probably the most crucial part of the chord. The more fretboard surface area you can cover with your hand, you're going to be better off with.
I'm pretty much addicted to 9ths and the pinky is pretty crucial in that sense.
Also, don't blame fret size, bassists have managed for years.
Also, don't blame fret size, bassists have managed for years.

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i have no problems on bass. i just don't like super big frets on guitars for some reason. of course, when i play bass i'm in a totally different mindset than on guitar.Pfl?yd wrote:I'm pretty much addicted to 9ths and the pinky is pretty crucial in that sense.
Also, don't blame fret size, bassists have managed for years.
i should have also said that i never play power chords anymore and so i am mostly playing fifths with ring finger, especially since i mostly use thumb-over style for barre chords. it really does give you a lot more freedom to play around with chord voicing and fills.
i loves 9ths too.


stoic wrote:good news...everyone took that at face value and immediately stopped thinking you're a scared dork fuck.
I play octaves on the bass entirely with the pinky unless I'm adding chord tones above that. Slapping octaves while holding down the "pop" string with the pinky is an excellent pinky workout!Lord of This World wrote:i have no problems on bass. i just don't like super big frets on guitars for some reason. of course, when i play bass i'm in a totally different mindset than on guitar.Pfl?yd wrote:I'm pretty much addicted to 9ths and the pinky is pretty crucial in that sense.
Also, don't blame fret size, bassists have managed for years.
i should have also said that i never play power chords anymore and so i am mostly playing fifths with ring finger, especially since i mostly use thumb-over style for barre chords. it really does give you a lot more freedom to play around with chord voicing and fills.
i loves 9ths too.![]()
Izzy: do you realize how broad "environmental science" is?
Izzy: it's like going to school for history
Izzy: well, more useful than that
Izzy: but an expert on the civil war won't know jackshit on uhh
Izzy: something that isnt the civil war
Izzy: it's like going to school for history
Izzy: well, more useful than that
Izzy: but an expert on the civil war won't know jackshit on uhh
Izzy: something that isnt the civil war
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Truth me told, I like small frets on guitar. After playing a jumbo-fret five-string bass, picking up a small-fretted guitar is like Stephen Hawking doing times-tables.
Izzy: do you realize how broad "environmental science" is?
Izzy: it's like going to school for history
Izzy: well, more useful than that
Izzy: but an expert on the civil war won't know jackshit on uhh
Izzy: something that isnt the civil war
Izzy: it's like going to school for history
Izzy: well, more useful than that
Izzy: but an expert on the civil war won't know jackshit on uhh
Izzy: something that isnt the civil war