Breaking the songwriting rut.

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Pfl?yd
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Breaking the songwriting rut.

Post by Pfl?yd »

So, when you fellow musicians hit a sort of "writer's block" what do you do to snap out of it.

Less than half of the songs I do with my bands are collaborations, but a good chunk are also pretty much just me presenting the idea and fleshing out the kinks with the others. Lately I've been listening to different kinds of music to draw inspiration for, especially since my main band is pretty much unlimited in terms of content or stylistic leanings.

Today, I figured I'd write a song backwards from how I usually do. So I put down the drum track first. Since there is no other instrument to play off of, the arrangement is a little more complex and rhythmically diverse. So then I load the drum track into MP3 and walk around listening to it with no instrument in my hands. Suddenly I have a whole new slew of ideas. I'm going to have to do this more often.

Anyhoo, give me your ideas, techniques, and whatnot on how you approach writing songs.
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Izzy: well, more useful than that
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Post by Hunter/Killer »

if nothing comes to me, i don't force it. i just work on the stuff i already wrote.
and i'll probably learn a song or 2 from a new band, that usually gets something going
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Post by Aeon »

I don't sit down and tell myself that I am going to come up with riffs or melodies, because that's sort of frustrating. Most of it is completely off the cuff if you will.
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Post by BaptizedBurning »

i usually end up just messing around on the guitar, a few good riffs pop out here and there over a couple days. then i figure out which riffs go good together and just build off that.
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Post by Lando Griffin »

I basically just learn some new songs on guitar because it takes my focus away from songwriting and helps clear my head, then I try writing again and see what comes out.
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Post by Metallash »

stop playing for a week or two usually helps.
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Post by Pfl?yd »

Aeon wrote:I don't sit down and tell myself that I am going to come up with riffs or melodies, because that's sort of frustrating. Most of it is completely off the cuff if you will.
Well, I don't have the luxury of just following my muse when it strikes. I have to actually set aside time for writing. :|
Izzy: do you realize how broad "environmental science" is?
Izzy: it's like going to school for history
Izzy: well, more useful than that
Izzy: but an expert on the civil war won't know jackshit on uhh
Izzy: something that isnt the civil war
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Post by dead forever »

To me, i need to lock myself away and stop listening to CDs, that way after a while it gets to the point where i actually need to come up with something interesting or I drive myself mad. It works trust me.
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Post by SuicideNote »

When beginning to write a new song, I'll conceptualize a feel and flow for the song. Sometimes, I'll write it down (no. of bars for each section, key, etc.) so I don't forget it. Then I'll try to write riffs to fill in the pieces. Sometimes when my mood is right, the stuff just flows and I can get in a nice groove. Othertimes, when I'm stressed, I can't force even the crappiest of riffage.

I find that I write the best material when I'm free from stress and obligations. Weekend mornings are best for me. But, there are weeks when I have very little time to get in rehearsal, much less trying to write new music.
[quote]What it's fair to say is that there is a significant number of young Australian males whose first glimpse of the sexualized female is her engaging in graphic, maybe even violent, hardcore sex.[/quote]
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Post by PABassPlayer »

writing a song is like getting laid, it only happens when your not trying.
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Post by Pfl?yd »

PABassPlayer wrote:writing a song is like getting laid, it only happens when your not trying.
Naw, I disagree. I'm usually a wellspring of ideas. You can "try" as easily as you can just shit an idea out.
Izzy: do you realize how broad "environmental science" is?
Izzy: it's like going to school for history
Izzy: well, more useful than that
Izzy: but an expert on the civil war won't know jackshit on uhh
Izzy: something that isnt the civil war
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Post by PABassPlayer »

Pflöyd wrote:
PABassPlayer wrote:writing a song is like getting laid, it only happens when your not trying.
Naw, I disagree. I'm usually a wellspring of ideas. You can "try" as easily as you can just shit an idea out.
that might explain why I'm a shitty song writer
[b]"Psycho Gangster"
And why exactly would I change my name to "Schmeagle"?[/b]

[b]"Bukkake Tsunami". My two negro cats are fighting, the one missing a leg is winning.[/b]
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Post by Pfl?yd »

Well, I do "songwriting exercises". Stuff like jam on a certain scale, tap out rhythms in odd times, or put chords together without root notes. Weird shit like that.
Izzy: do you realize how broad "environmental science" is?
Izzy: it's like going to school for history
Izzy: well, more useful than that
Izzy: but an expert on the civil war won't know jackshit on uhh
Izzy: something that isnt the civil war
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Post by warhead dime »

SuicideNote wrote:When beginning to write a new song, I'll conceptualize a feel and flow for the song. Sometimes, I'll write it down (no. of bars for each section, key, etc.) so I don't forget it. Then I'll try to write riffs to fill in the pieces. Sometimes when my mood is right, the stuff just flows and I can get in a nice groove. Othertimes, when I'm stressed, I can't force even the crappiest of riffage.

I find that I write the best material when I'm free from stress and obligations. Weekend mornings are best for me. But, there are weeks when I have very little time to get in rehearsal, much less trying to write new music.
I agree with all of that. But I also am the type to jam out and and a first version of a riff will come out. I'll sit around with it and mess with it until I like it.
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Post by croninburg »

Practice something that you don't normally practice like a certain scale, time sig or technique.
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Post by stoic »

old rap and kraftwerk, floyd. twilight 22, afrika bambatta. air. art of noise. there's plenty of evil melodies out there you can gank. all yours for freeninetynine. i do it all the time and rockify stuff up from back then. i booked a ton of gigs around detroit at cool bars to play this stuff live and impress chicks but then i remembered i don't have a band so i cancelled them all.
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Post by Wrona »

stoic wrote:old rap and kraftwerk, floyd. twilight 22, afrika bambatta. air. art of noise. there's plenty of evil melodies out there you can gank. all yours for freeninetynine. i do it all the time and rockify stuff up from back then. i booked a ton of gigs around detroit at cool bars to play this stuff live and impress chicks but then i remembered i don't have a band so i cancelled them all.
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Post by Chris »

Metallash wrote:stop playing for a week or two usually helps.

if that was true you'd be shitting out songs everytime you got your guitar back.
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Post by Metallash »

Chris wrote:
Metallash wrote:stop playing for a week or two usually helps.

if that was true you'd be shitting out songs everytime you got your guitar back.
instruments all together, ive still got my bass, buy your own guitar cunt.
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Post by Chris »

Metallash wrote:
Chris wrote:
Metallash wrote:stop playing for a week or two usually helps.

if that was true you'd be shitting out songs everytime you got your guitar back.
instruments all together, ive still got my bass, buy your own guitar cunt.
yeah youve got your bass you still dont write anything on it though.
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Post by 7Dime7MetalMassacre »

I ususally try to focus on a Fucking deep feeling of Anger, Hatred, Sorrow i feel or have seen someone feel and i try to transform that into music somehow. Kind of like how Jimi Hendrix made up some music by thinking of it as colors, i use emotions or experiences.....I am usually at least drunk when i do this....helps let out the creativity
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Post by Aeon »

7Dime7MetalMassacre wrote:I ususally try to focus on a Fucking deep feeling of Anger, Hatred, Sorrow i feel or have seen someone feel and i try to transform that into music somehow. Kind of like how Jimi Hendrix made up some music by thinking of it as colors, i use emotions or experiences.....I am usually at least drunk when i do this....helps let out the creativity
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Post by SuicideNote »

7Dime7MetalMassacre wrote:I ususally try to focus on a Fucking deep feeling of Anger, Hatred, Sorrow i feel or have seen someone feel and i try to transform that into music somehow. Kind of like how Jimi Hendrix made up some music by thinking of it as colors, i use emotions or experiences.....I am usually at least drunk when i do this....helps let out the creativity

Can I please hear some of your material?
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Post by 7Dime7MetalMassacre »

Aeon wrote:
7Dime7MetalMassacre wrote:I ususally try to focus on a Fucking deep feeling of Anger, Hatred, Sorrow i feel or have seen someone feel and i try to transform that into music somehow. Kind of like how Jimi Hendrix made up some music by thinking of it as colors, i use emotions or experiences.....I am usually at least drunk when i do this....helps let out the creativity
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Post by ATR v1.2 »

:lol:
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Post by Pfl?yd »

7Dime7MetalMassacre wrote:I ususally try to focus on a Fucking deep feeling of Anger, Hatred, Sorrow i feel or have seen someone feel and i try to transform that into music somehow. Kind of like how Jimi Hendrix made up some music by thinking of it as colors, i use emotions or experiences.....I am usually at least drunk when i do this....helps let out the creativity
You sound pretty one-dimensional.
Izzy: do you realize how broad "environmental science" is?
Izzy: it's like going to school for history
Izzy: well, more useful than that
Izzy: but an expert on the civil war won't know jackshit on uhh
Izzy: something that isnt the civil war
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Post by Firestorm »

7Dime7MetalMassacre wrote:
Aeon wrote:
7Dime7MetalMassacre wrote:I ususally try to focus on a Fucking deep feeling of Anger, Hatred, Sorrow i feel or have seen someone feel and i try to transform that into music somehow. Kind of like how Jimi Hendrix made up some music by thinking of it as colors, i use emotions or experiences.....I am usually at least drunk when i do this....helps let out the creativity
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Post by MARDUK »

:no: :zzz:
[quote="George Bush"]"I'm President of the United States and I'm not going to eat any more broccoli".[/quote]
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Post by Pfl?yd »

MARDUK wrote::no: :zzz:
Of course you have no suggestions, you listen to music that doesn't actually require some modicum of talent. :zzz:
Izzy: do you realize how broad "environmental science" is?
Izzy: it's like going to school for history
Izzy: well, more useful than that
Izzy: but an expert on the civil war won't know jackshit on uhh
Izzy: something that isnt the civil war
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Post by Lando Griffin »

I guess another thing I do sometimes is take a break from writing but try to do something else to stimulate my mind, like read a little bit, watch a movie/tv, listen to music, learn something else on guitar or whatever and then come back again. I find this tends to help.
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Post by Wrona »

Pflöyd- That is a good idea, i'll have to try coming up with some riffs and ideas that way once i get myself an mp3 player.

When im in a rut i usually listen to some music i dont usually listen to as much as i usually do. I'll put on some old blues or fusion jazz. I've been getting into Funkadelic and Bootsy Collins lately, funk has a lot of heavy grooves and it's easy to get into. Death metalers might not like it but it is a good idea to open your ears up to everything.

Also watching live concert videos is always good inspiration. Every time i go to a show i pick some little ideas up.
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Post by Kyle »

when i pick up a bass its a lot easier to come up with melodies
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Post by Wrona »

Kyle wrote:when i pick up a bass its a lot easier to come up with melodies
I like to noodle around with the bass when there is one around, it is fun to play scince it is layed out like a guitar. I pissed off my first bass player scince he was really just a regular guitarist who wanted to play the same this as i would play, i would say "hey, why dont you play this behind me on this part" he would just get pissed that whatever i would came up with would make the whole peice of music sound better and by the fact that he did'nt come up with it would piss him off. So he was out of the band after this went on for 3 months.
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Post by SuicideNote »

TK wrote:
Kyle wrote:when i pick up a bass its a lot easier to come up with melodies
I like to noodle around with the bass when there is one around, it is fun to play scince it is layed out like a guitar. I pissed off my first bass player scince he was really just a regular guitarist who wanted to play the same this as i would play, i would say "hey, why dont you play this behind me on this part" he would just get pissed that whatever i would came up with would make the whole peice of music sound better and by the fact that he did'nt come up with it would piss him off. So he was out of the band after this went on for 3 months.

It does indeed blow when the members in your band have skill on their instruments but lack musical vision. Collaborating is overrated anyhow, I write out each note for each member of the band everytime I audition a new piece of music. Drums however are a different story. I do not know how to notate drums and if I did, I'm sure that it would take fucking infinity to write it out.
[quote]What it's fair to say is that there is a significant number of young Australian males whose first glimpse of the sexualized female is her engaging in graphic, maybe even violent, hardcore sex.[/quote]
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Post by PABassPlayer »

SuicideNote wrote:
TK wrote:
Kyle wrote:when i pick up a bass its a lot easier to come up with melodies
I like to noodle around with the bass when there is one around, it is fun to play scince it is layed out like a guitar. I pissed off my first bass player scince he was really just a regular guitarist who wanted to play the same this as i would play, i would say "hey, why dont you play this behind me on this part" he would just get pissed that whatever i would came up with would make the whole peice of music sound better and by the fact that he did'nt come up with it would piss him off. So he was out of the band after this went on for 3 months.

It does indeed blow when the members in your band have skill on their instruments but lack musical vision. Collaborating is overrated anyhow, I write out each note for each member of the band everytime I audition a new piece of music. Drums however are a different story. I do not know how to notate drums and if I did, I'm sure that it would take fucking infinity to write it out.
I can usually write a great line under something that someone has written, I just lack vision of writing "a song"

I 'll show my guitarists a riff I made up, and by thetime they are done with it, it's completely different and usually better.
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Post by Pfl?yd »

I get rhythmic ideas at work too and usually write out drum patterns and bass line in relation to them while sitting here twiddling my thumbs. The only problem is the fact the bass parts end up sounding like Primus! :x
Izzy: do you realize how broad "environmental science" is?
Izzy: it's like going to school for history
Izzy: well, more useful than that
Izzy: but an expert on the civil war won't know jackshit on uhh
Izzy: something that isnt the civil war
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Post by Firestorm »

Pflöyd wrote:Primus! :x
:tup:
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Post by Pfl?yd »

Firestorm wrote:
Pflöyd wrote:Primus! :x
:tup:
haha, while it's interesting as far as the "wow" factor from people, I don't want to sound like Claypool.
Izzy: do you realize how broad "environmental science" is?
Izzy: it's like going to school for history
Izzy: well, more useful than that
Izzy: but an expert on the civil war won't know jackshit on uhh
Izzy: something that isnt the civil war
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Post by Jefferino »

I think it all starts with a single riff or idea, and if the band members you have are talented enough to build off that foundation you can come up with something good....i think the key is organization and structure, how many times to play a certain riff etc..although you look at Walk and I think Dime played the main riff like 20 times or something, so.....i guess it all depends.
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