![Image](http://img.photobucket.com/albums/v291/Xttapalotakettle/DSCF0001.jpg)
I showed you mine, now you show me yours.
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No offense but I hate playing with bass players that use all that shit.Pfl?yd wrote:I think I'm done buying pedals for awhile. The Microsynth and the Q-Tron+ are greatly reducing how many pedals I have to cart around for most of my gigs, but I still have to mount some of the effects on a stand so I can manipulate by hand. I have a Tonebone effects loop switching system on the way, so it should at least reduce all the tap dancing.
I showed you mine, now you show me yours.
no shit... they might as well play guitar... i dont want to hear all those mario soundsMescalito wrote:No offense but I hate playing with bass players that use all that shit.Pfl?yd wrote:I think I'm done buying pedals for awhile. The Microsynth and the Q-Tron+ are greatly reducing how many pedals I have to cart around for most of my gigs, but I still have to mount some of the effects on a stand so I can manipulate by hand. I have a Tonebone effects loop switching system on the way, so it should at least reduce all the tap dancing.
I showed you mine, now you show me yours.
Better pack it up Pfl?yd, Mescalito and Gnarkiller don't want to play with you.Gnarkiller wrote:no shit... they might as well play guitar... i dont want to hear all those mario soundsMescalito wrote:No offense but I hate playing with bass players that use all that shit.Pfl?yd wrote:I think I'm done buying pedals for awhile. The Microsynth and the Q-Tron+ are greatly reducing how many pedals I have to cart around for most of my gigs, but I still have to mount some of the effects on a stand so I can manipulate by hand. I have a Tonebone effects loop switching system on the way, so it should at least reduce all the tap dancing.
[img]PICTURE[/img]
I showed you mine, now you show me yours.
It's even funnier that somehow guitar players think they have the market cornered on effects or something.-Will- wrote:Better pack it up Pfl?yd, Mescalito and Gnarkiller don't want to play with you.Gnarkiller wrote:no shit... they might as well play guitar... i dont want to hear all those mario soundsMescalito wrote:No offense but I hate playing with bass players that use all that shit.Pfl?yd wrote:I think I'm done buying pedals for awhile. The Microsynth and the Q-Tron+ are greatly reducing how many pedals I have to cart around for most of my gigs, but I still have to mount some of the effects on a stand so I can manipulate by hand. I have a Tonebone effects loop switching system on the way, so it should at least reduce all the tap dancing.
[img]PICTURE[/img]
I showed you mine, now you show me yours.
ok who do you think you are? Billy Sheenan or that goomba from Tool or that stupid nigger who plays R&B jazzy harmonic shit? no. you are a guitarist's bitch. you might as well quit while your ahead because people won't even hear your bass on cd or live. work on looking cool cause that seems to be impossible for any bass playerPfl?yd wrote:It's even funnier that somehow guitar players think they have the market cornered on effects or something.-Will- wrote:Better pack it up Pfl?yd, Mescalito and Gnarkiller don't want to play with you.Gnarkiller wrote:no shit... they might as well play guitar... i dont want to hear all those mario soundsMescalito wrote:No offense but I hate playing with bass players that use all that shit.Pfl?yd wrote:I think I'm done buying pedals for awhile. The Microsynth and the Q-Tron+ are greatly reducing how many pedals I have to cart around for most of my gigs, but I still have to mount some of the effects on a stand so I can manipulate by hand. I have a Tonebone effects loop switching system on the way, so it should at least reduce all the tap dancing.
[img]PICTURE[/img]
I showed you mine, now you show me yours.
Then again, I forget this is a "metal" board sometimes. Unison riffs FTW!
I'm not going to waste my time rebuking this drivel. Yer a fucking moron, plain and simple.Gnarkiller wrote:ok who do you think you are? Billy Sheenan or that goomba from Tool or that stupid smurf who plays R&B jazzy harmonic shit? no. you are a guitarist's bitch. you might as well quit while your ahead because people won't even hear your bass on cd or live. work on looking cool cause that seems to be impossible for any bass playerPfl?yd wrote:It's even funnier that somehow guitar players think they have the market cornered on effects or something.-Will- wrote:Better pack it up Pfl?yd, Mescalito and Gnarkiller don't want to play with you.Gnarkiller wrote:no shit... they might as well play guitar... i dont want to hear all those mario soundsMescalito wrote:No offense but I hate playing with bass players that use all that shit.Pfl?yd wrote:I think I'm done buying pedals for awhile. The Microsynth and the Q-Tron+ are greatly reducing how many pedals I have to cart around for most of my gigs, but I still have to mount some of the effects on a stand so I can manipulate by hand. I have a Tonebone effects loop switching system on the way, so it should at least reduce all the tap dancing.
[img]PICTURE[/img]
I showed you mine, now you show me yours.
Then again, I forget this is a "metal" board sometimes. Unison riffs FTW!
That pedalboard looks grim.weonlywonfiveone wrote:
Boss TU-2 Tuner > Boss PW10 V-Wah > Robert Keely Looper > MXR Smartgate Noise Gate > Boss GE-7 EQ > Boss DD-6 Digital Delay > Amps
Power by DC-9X Multiple Pedal Adapter. Planetwave cables all round.
people like you make me not want to be in a band. Go listen to Atheist and Cynic and tell me the bassist the is guitarist's bitch, because you'll find it's the complete opposite.Gnarkiller wrote:ok who do you think you are? Billy Sheenan or that goomba from Tool or that stupid smurf who plays R&B jazzy harmonic shit? no. you are a guitarist's bitch. you might as well quit while your ahead because people won't even hear your bass on cd or live. work on looking cool cause that seems to be impossible for any bass playerPfl?yd wrote:It's even funnier that somehow guitar players think they have the market cornered on effects or something.-Will- wrote:Better pack it up Pfl?yd, Mescalito and Gnarkiller don't want to play with you.Gnarkiller wrote:no shit... they might as well play guitar... i dont want to hear all those mario soundsMescalito wrote:No offense but I hate playing with bass players that use all that shit.Pfl?yd wrote:I think I'm done buying pedals for awhile. The Microsynth and the Q-Tron+ are greatly reducing how many pedals I have to cart around for most of my gigs, but I still have to mount some of the effects on a stand so I can manipulate by hand. I have a Tonebone effects loop switching system on the way, so it should at least reduce all the tap dancing.
[img]PICTURE[/img]
I showed you mine, now you show me yours.
Then again, I forget this is a "metal" board sometimes. Unison riffs FTW!
aggressor_27 wrote:Shut the fuck up, foreigner. With your fingers.
Haha, wow.Gnarkiller wrote:ok who do you think you are? Billy Sheenan or that goomba from Tool or that stupid smurf who plays R&B jazzy harmonic shit? no. you are a guitarist's bitch. you might as well quit while your ahead because people won't even hear your bass on cd or live. work on looking cool cause that seems to be impossible for any bass player
Well, you're familiar with what I do. A straight-ahead bass tone doesn't fit all that often!hektik wrote:I only use a compressor to sharpen my tone since I play a lot of technical death metal, so I like each note to be distinguished and not mud together.
eh you could make it work but experimentation is what music is all aboutPfl?yd wrote:Well, you're familiar with what I do. A straight-ahead bass tone doesn't fit all that often!hektik wrote:I only use a compressor to sharpen my tone since I play a lot of technical death metal, so I like each note to be distinguished and not mud together.
P.S. I love a lot of straight-ahead bass tones (like in the Jesus Lizard) it just doesn't always work for my applications.
aggressor_27 wrote:Shut the fuck up, foreigner. With your fingers.
Yeh it does need a tidy up.... it really fucking does haha.Pfl?yd wrote:That pedalboard looks grim.weonlywonfiveone wrote:
Boss TU-2 Tuner > Boss PW10 V-Wah > Robert Keely Looper > MXR Smartgate Noise Gate > Boss GE-7 EQ > Boss DD-6 Digital Delay > Amps
Power by DC-9X Multiple Pedal Adapter. Planetwave cables all round.
I've had those pedals forever. I'm surprised I haven't demolished the Soundtank yet. The DOD pedals still sound good and operate well. I dragged them out so I could use the GT-6B for other things (and the overdrive on it is pretty crummy, in my opinion) though I'm thinking about nixing it altogether and getting a nicer chorus pedal and maybe a Creampie for overdrive tones.JesseJames wrote:Pfloyd, those ibanez soundtank and DOD stomps were horrible pedals.
The rest of your shit looks choice though.
Bodom J wrote:I wish I was even a quarter as good looking as dbs.
Dude... You didn't even capitalize learn. Practice what you preach E Police. HOW COULD YOUDBS wrote:learn how to use grammar and how to spell the word opinion before offering yours.UNGODLIKE wrote:learn how to listen metallica and spell the word "shred" correctly before offering any oppinion.
Yeah, but my "frog vomit" tone gets all the panties wet.hektik wrote:eh you could make it work but experimentation is what music is all aboutPfl?yd wrote:Well, you're familiar with what I do. A straight-ahead bass tone doesn't fit all that often!hektik wrote:I only use a compressor to sharpen my tone since I play a lot of technical death metal, so I like each note to be distinguished and not mud together.
P.S. I love a lot of straight-ahead bass tones (like in the Jesus Lizard) it just doesn't always work for my applications.
http://youtube.com/watch?v=5ch8CYgH-tQGnarkiller wrote:no shit... they might as well play guitar... i dont want to hear all those mario sounds
I use external switching with the effects loop. Even then, there's a little dancing involved. I compose most of my music (including the bass parts) in MIDI and then I have to go back later and figure out how to replicate the bass sounds. I'm anal about that kind of thing. A lot of quirky sounds really make or break different songs so I really pull mt hair out (in a good way) to apply it to a stringed instrument. And trust me, my guitarists have a fun time trying to do the same.DBS wrote:floyd, how do you actually use all of those pedals in a live environment? pedals have always seemed like an unnecessary accessory for me and i don't have the patience to play around with one to get a desired sound. having said that i only play metal and rock cover tunes live so that explains something. i'm still interested how you manage it, though.